Where to Find Online Writing Jobs

Before we get started I'd like to state this right up front; if you want to support the Literary Mercenary then remember we run on Google AdSense. Ad revenue is what keeps your author's bills paid, and it allows me to dedicate more time to bringing you helpful information. Good, now with that out of the way I'd like to talk a little bit about making money as a freelance writer and some of the places I've discovered that won't hesitate to pay you for your work.

Up Front Payment

Authors and assassins always take their money up front.

When most people think of getting paid to write, this is what they think of. The writer creates a piece of content, the client pays a fee, and the job is over. This is pretty much how magazines and newspapers worked in the good old days of traditional mass media. For writers who like knowing what they're getting paid before they start banging away on the keys though, there are still several websites that can start fattening up your collective bank accounts.

Demand Media Studios

You've likely been to a Demand Media Studios site. They run eHow.com, they run LiveStrong.com, and they run dozens of other websites in addition to partnering with even more. As far as fees and work go, Demand Media Studios is one of the higher-paying markets out there for writers who want guaranteed, up-front payment for writing articles. I myself have completed a great deal of work for them, such as this article, this article, and this article too.

The application process is simple. Simply go to the homepage at www.demandstudios.com and apply. A word to the wise though; this is not a content farm. If you don't have a college degree, or several years of experience in a professional field, this might not be the place for you. In addition to writing jobs though, Demand Studios also has room for editors looking for a way to earn extra income.

Textbroker

There are a lot of negative things written about this website, but there are only two questions you need to ask as a writer; do they offer work at a price I'm willing to take, and do they pay on time? In that area at least Textbroker is simple and straightforward. I've completed thousands of articles there myself, and it is possible to get enough work from this site to pay one's bills. Possible, but not easy. A tip for those who plan on becoming www.TextBroker.com contributors; impress your customers, get a high rating, and get added to as many teams as you can. Team assignments always have higher pay, and there's less competition over them. This shouldn't be your only place of employ, but it is a solid option.

Content Current

Yet another website which has earned a lot of shaken fists, www.ContentCurrent.com is not a website you can just go to, write a few hundred words a day and retire. However, when work gets scarce and budgets get tight, this site often has assignments that can make the difference between paying your bills and not. Assignments tend to run scarce at Content Current, but it also has the option of editing along with writing. This can be a life saver for writers who aren't afraid to wield the power of the red pen.

Royalties

It always feels like free money, for some reason.

There are few things guaranteed to perk a writer's imagination more than the notion of royalties. The idea of writing a single story, a single book, or even a single article and being paid for it over and over again is extremely appealing. There's a hitch with royalties though; they pay you nothing unless they get popular. So if no one reads your articles, or no one clicks the ads on your page (much like the ads to the right and bottom of this very post) you as the writer have spent a great deal of time and effort in creating a piece of content for nothing. On the other hand if your content gets truly and wildly popular you could see checks for hundreds of dollars, or more, showing up in your bank for months to come. Years, in some cases.

Yahoo! Voices

Yahoo! Voices was, once upon a time, a website called Associated Content. It functions off of a fairly simple principle; users write about content they know, and based on the views that content gets the writers get paid. Paid how much you might ask? Well, that depends. Yahoo! Voices works on a tier system. At the lowest tier, number 1, you make $1.50 for every 1k page views your work gets. At the highest tier, tier 10, you make $2.00 per 1k. On the upside there's no need to convince readers to click ads or sign up for anything; if people view your content, you get paid. The hard part, of course, is writing content that you are confident in, which remains popular, and which earns enough regular views to pay you an amount worth investing in.

I have an archive of over 300 articles with them here. Yahoo! Voices pays regularly and on time every single month. Getting consistent views high enough to even pay your phone bill though is going to take a lot of work, and a lot of promotion. This is not an option for the faint of heart.

Infobarrel & Xomba

Infobarrel.com and Xomba.com are both websites that can provide a lot of earning potential as long as someone has a Google AdSense account. Both websites allow users to write articles, and they will split the AdSense revenue with the content creator. While Infobarrel is more popular for articles (my account for that is located here), Xomba has the advantage in that users can create bookmarks (which is the sort of content I recommend creating. It worked great for me, as evidenced by this). Xomba doesn't let you create content that links to something you wrote, though. On the other hand, if you have a friend that creates great content then you can build a bookmark library for that other person. That person might, in turn, feel obligated to build some backlinks for your content as well.

BlogSpot and Others

Anyone who can entertain users can run a blog. If you want to make money blogging (I already covered this topic here in greater depth), all you need is an AdSense account, and an audience that is willing to click your ads on occasion. Fortunately there's no rule that says you can only have a single blog. Any activity that you're knowledgeable enough about to create content for, you can do it. For instance, in addition to the Literary Mercenary I also run a blog for tabletop gaming titled Improved Initiative. This allows you to cover a number of subjects and to market yourself and your work simultaneously to a bigger overall population. It also requires double the work of creation and promotion, and there's no guarantee of earnings if no one reads what you wrote.

Hit Lists: Finding New Jobs

Can't be afraid of a little red work.

Not all writers work for a single, stable employer. Some writers simply make their way from one want ad to another, building up a stable of steady paymasters until they have access to more work than they have time, effort, or desire for. Even writers who do have steady work might check the boards on occasion to try and fill in the cracks, and save a little bit on the side. While I can't vouch for every job at these locations, I can vouch that they collect more than enough jobs to keep you busy applying for days.

Online Writing Jobs

There's never been a website with a simpler name and purpose. Simply go to www.Online-Writing-Jobs.com and tool around until you find something that strikes your fancy. This site combs through a dozen online want ads, bringing all of the writing jobs one could want to a single place every, single day.

ODesk

Though I'm a relatively recent convert to www.ODesk.com, I can vouch that there's plenty of work available on the site. Not all of the work is meant for an American audience, which means that sometimes the prices being paid are much lower than a first world writer would be willing to accept. That said, with enough looking, it's a relatively simple matter to match a writer with an employer.

Is That All?

Of course not. I could run an entire blog meant for nothing more than writing jobs and where to get them. As of this particular moment though, these are the locations I can personally vouch for, and which I feel comfortable recommending to my fellow writers who are looking to make their ends meet. There might be further installments of this topic as I broaden my reach, or if readers decide to leave comments regarding places they've worked for that aren't mentioned here. Seriously though, do that.

Writers always have to look at the assignment and ask themselves if it's worth the time and the effort. If a writer doesn't want to work as a cashier, a security guard, or any of a dozen other low-rent jobs, these are some good places to start building up a writing job history. It also helps to start expanding your contact circle, and to get you into the professional mindset. If you're going to write, then do it, and don't look back.


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Professional Rule Number One: Never Work For Free

It was Sir Walter Scott who first coined the term freelance, taking the two obvious words and cementing them together to form a new term. When it was put together, ostensibly for Ivanhoe in the 1820s, the term was meant to refer to a Middle Ages mercenary. It wasn't until the 1860s that the term was used to refer to writers, and specifically to journalists who wrote on a piece-by-piece basis rather than being on staff for a given paper.

Freelancers, much like their military counterparts, haven't always had the best reputations among the populace. They work cheap, they're often used in place of regular professionals, and they tend to have at least a few different paymasters at a time. They don't always belong to professional organizations, they don't always do the best work, and many times they're downright unscrupulous. But here's something you can all learn from the brothers and sisters of the gilded lance... we get paid.

I want one that says "Shakespeare Gotta Get Paid, Son."

 

There's this strange delusion among the professional world that artists are some second-class group of pseudo-professionals that act a lot like indentured servants who will work for the privilege of working. What's worse is that this delusion is catching, and that many creative persons are willing to accept the lie that they should be flattered just to have their blood, sweat, and tears featured in an ad campaign at all.

 

The Golden Rule

 

The first and foremost rule of being a creative professional of any stripe is that you have to be professional. Professionals get paid, period. This isn't just good advice either; it's a mantra, a code, and a creed. If you don't believe your work is worth something, then what does that say about you? Chances are that it doesn't say anything good.

 

Barter, Trade, and Goodwill

 

Before at least a few folks reading this start getting up-in-arms about the quality of art being measured with the yardstick of commerce, let me be the first to say that there's more forms of payment than just money. There's the credit that comes with having a story or novel published by a major company, for instance. There's the connections to be made by working with certain editors, and the goodwill that comes from offering a piece of work as a last-minute help to someone that needs a pitch-hitter. There's even the satisfaction of knowing something you wrote went to help out a good cause for those who write, paint, or illustrate for a charity. There's nothing wrong with any of that. It's only when someone hands over days, weeks, and months of effort in the form of a completed work, and then feels grateful when someone else makes money off of it that something is wrong.

 

But What About Exposure?

 

I will be the first to say that few things bring me closer to doing serious bodily harm to another human being than someone saying I will be paid in exposure. "Exposure" often translates to "you're getting nothing slacker, just be glad we're giving you page space or throwing your print on the cover". That attitude has become so common that many people just breaking into the creative field accept it as paying their dues, and will go for years allowing themselves to be exploited before turning a profit.

 

With that said, exposure is an acceptable payment if the publication in question is likely to get exposed. In my experience most places that offer exposure as payment are small presses which can't actually afford to pay their authors an up-front cost for stories, or they're events that are looking for a way to cut costs while still getting all the creative bells and whistles on signs, banners, etc. It all comes down to what you, as the creative professional, are all right with.

 

Look at the project from a marketing perspective. If you were asked to design a mascot for a local gaming convention which wasn't likely to get more than a few hundred attendees, that's a few hundred people who will see your art. Maybe they'll want to buy some, or maybe they won't. Maybe you get a free badge to go to the convention, or you make allies of the organizers who need you to create something to suck in the public. For some artists, particularly those who are new to the game and who don't have much of a list of achievements, that might be a worthwhile endeavor. For someone who has been a professional artist for several years, or decades, who has a long list of clients that are willing to offer more benefit for time well-spent, a free project like that isn't an effective use of time or resources.

 

Is This What I'm Worth?

 

Not all that glitters is gold, which is something creative types know better than most. However, for those who aren't creative professionals the work that we do is often seen as one part magic and two parts frivolity. The common perceptions that art is a luxury rather than a necessity, and worse that art is easy, leads many people to expect gratitude and thanks just for handing out praise. We can all agree that performing surgery on a heart is no small feat, but why is creating something that makes that heart skip a beat considered so much easier?

 

 

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